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Oct 23

Oct 23

Doors open at 8:00 pm Starts at 8:30 pm All ages

Price: $10-$40

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BOOTH DOES NOT INCLUDE ADMISSION---LIMITED SEATED SHOW---Feisty, funny singer/guitar-slinger Scott Miller is not a simple study; he manages the family cattle farm in Virginia

Oct 24

Doors open at 8:00 pm Starts at 8:30 pm Ages 18+ Only

Price: $15-$60

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BOOTH DOES NOT INCLUDE ADMISSION---LIMITED SEATED SHOW---

With the release of his latest album Burden of Proof, Bob Schneider breaks new ground. Exploring loss, lust, love, dark desires and skeptical optimism, Schneider has crafted lyrically and musically, his most ambitious and sophisticated album to date.
Born in Michigan and raised in Germany, Schneider was playing music and creating art from the time he was four years old. “I was left-handed, but the nuns at my Catholic school forced me to write with my right hand,” Schneider reflects. “But I still like to think of myself as left-handed. I’ve always thought of myself as a round peg in a square hole sort of person. Like I just didn't quite fit in. I was socially awkward and I think that led me to finding solace in imaginary worlds that I would create in my art and music.”
At age ten, Schneider’s father, an opera singer by trade, dressed him in a leisure suit and took him along to gigs where they’d perform jazz standards and other hits from the 1940s-70s.
Schneider spent his college years as a fine arts major, but dropped out to move to Austin and pursue a music career after taking to heart the words of singer-songwriter Terry Allen. “I remember him saying ‘If you’re going to do art, drop out of school and start doing your art and living your life ‘cause your degree’s not going to make a difference.”
So Bob Schneider blazed into Austin and has been packing houses and winning over audiences ever since, firmly claiming his place as one of the most sought-after entertainers in the live music capital. Schneider sells out venues coast to coast from New York, Chicago Minneapolis and Baltimore to LA, Seattle, Portland and San Francisco. His live shows are playful and raw, while on stage Schneider commands the room. He’s charismatic and friendly, bantering with his bandmates and heckling the audience. As he launches into each song with his whole being, the audience is instantly transported, tumbling through the dark recesses of his imagination.

Oct 25

Oct 25

Doors open at 8:00 pm Starts at 9:00 pm All ages

Price: $10-$40

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BOOTH DOES NOT INCLUDE ADMISSION---LIMITED SEATED SHOW---TAUK is heavy instrumental rock fusion created by Matt Jalbert (guitar), Charlie Dolan (bass), Alric “A.C.” Carter (keyboard-organ), and Isaac Teel (drums). The transcendent instrumental band seamlessly brings together genres as diverse as melodic rock, fusion, gritty funk, progressive rock, ambient, classic rock, hip hop and jazz.
The Oyster Bay, New York-based quartet has received accolades from a number of tastemaking authorities, including an “On The Verge” feature in Relix Magazine and frequent rotation for the singles “Mindshift”, “Sweet Revenge”, “Dead Signal” and “In the Basement of the Alamo” on Sirius XM Jam On. Despite their years of experience as a musical unit, the quartet is a young promising band that Jambase calls “a guaranteed quickly-ascend band.” The Washington Post describes the band by saying: “TAUK’s instrumental music melds genres and styles, creating a hard-charging, often melodic fusion that – thanks to a penchant for improv – offers limitless possibilities” and The Deli Magazine singles out the band’s compelling melodic sense through explaining: “the quartet has a rare ability to channel emotional melodic leads, and all without a lead singer.”

The band’s latest album, Collisions, is a breakthrough in that it finally captures the essence of TAUK’s entrancing live shows. It’s a thoughtfully composed album with captivating hum-along melodies, but this time the band was able to road test the songs, allowing the recorded versions to reflect the group’s adventurous improvisations. The 10-song album spans delicate ethereal textures, highly imaginatively funky drumming, labyrinthine arrangements, and fiery solos—often in the same song

Oct 26

Oct 26

Doors open at 8:00 pm Starts at 8:30 pm All ages

Price: $20-$60

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BOOTH DOES NOT INCLUDE ADMISSION---LIMITED SEATED SHOW---Canned Heat’s unique blend of modern electric blues, rock and boogie has earned them a loyal following and influenced many aspiring guitarists and bands during the past four decades. Their Top-40 country-blues-rock songs, “On The Road Again,” “Let’s Work Together,” and “Going Up The Country,” became rock anthems throughout the world with the latter being adopted as the unofficial theme song for the film Woodstock. Their cover version of Wilbert Harrison’s “Let’s Work Together” was actually their biggest hit as it rose to #1 in 31 different countries around the world.

Oct 27

Doors open at 7:00 pm Starts at 8:30 pm All ages

Price: $10

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Before there was Americana, before there was Texas Country, Two Tons of Steel front man Kevin Geil and his original band, “Dead Crickets,” rocked a sound that blended the best of musical worlds and pushed the envelope of “Texas” sound with a signature brand of high-energy country meets raw punk.

The San Antonio-based group packed the small bars and local hangouts and quickly became the Alamo City’s most-loved band, earning them a spot on the cover of Billboard Magazine in 1996. It was the beginning of a twenty year journey for Geil and the 4-piece ensemble.

Releasing “Two Tons Of Steel” in 1994 and “Crazy For My Baby” in 1995 on Blue Fire Records, a sponsorship deal with Lone Star Beer quickly followed. Dead Crickets, renamed Two Tons of Steel in 1996 began traveling outside of Texas, including stops at the Grand Ole’ Opry in Nashville, Tenn., the National Theater in Havana, Cuba, and European tours, to greet fans who had embraced their Texas-born sound. In 1996 they released “Oh No!” on their independent label, “Big Bellied Records.” They followed up the passion project with a live recording at the legendary Gruene Hall in Gruene, Texas, taped during a Two Ton Tuesday Show 1998.

Oct 29

Doors open at 7:30 pm Starts at 8:30 pm All ages

Price: $6

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LIMITED SEATED SHOW---to do big things, you have to make big noise. Up-and-coming Austin country band Moonlight Social is doing just that. Since being founded in early 2011, the band played a SXSW showcase after being selected by 9-time GRAMMY-winning frontman Ray Benson and won a GRAMMY-sponsored showcase after being selected by the board of governors for the Texas Chapter of The Recording Academy. The band was then named winners of the 2011 Austin Chronicle Sound Wars after beating out nearly 100 other Austin bands. The band also won the GRAMMY-sponsored “Show Us Your Hits” competition and was a judge’s selection for the Indaba songwriting showcase with the song “Neither Are You.” Moonlight Social was then named one of the Best New Bands in Austin in 2013, and was featured as a rising artist on Nashville-produced TV show, “Welcome To Indie Country.”

Oct 30

Doors open at 7:00 pm Starts at 8:00 pm All ages

Price: $20-$60

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BOOTH DOES NOT INCLUDE ADMISSION--Shawn Phillips is one of most fascinating and enigmatic musicians to come out of the early-'70s singer/songwriter boom. The mere fact that he was a musician as much as a singer and songwriter made him stand out, and helped him attract a dedicated following. -LIMITED SEATED SHOW---

Oct 31

Oct 31

Doors open at 8:00 pm Starts at 9:00 pm All ages

Price: $10-$45

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BOOTH DOES NOT INCLUDE ADMISSION---LIMITED SEATED SHOW---Dallas-based American singer-songwriter Max Stalling never expected to be a full-time country and western musician. After earning his college degree from Texas A&M in food science, he worked for Rainbo Bread and Frito Lay. But following the critically lauded and audience-proven successes of his first three CDs, Comfort In The Curves in 1997, Wide Afternoon in 2000, and One Of The Ways in 2002, he traded his lab coat for cowboy boots and has been touring ever since - performing at more than 150 honky tonks and smoky dancehalls each year.

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Bob Schneider

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Shawn Phillips

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Max Stalling

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